About the choruses.... I don't want to be the negative guy and keep in mind that as I wrote some pages ago I actually like the album, and I don't think there's a single bad song on it, but the point is not that DT had or should have choruses like "RUN TO THE HIIILS, RUN FOR YOUR LIVEEEES" or "EEEEXIT LIIIGHT, ENTER NIIIGHT".
Still, they always had good choruses, which were the clear climaxes of the song no matter their intensity; without going too far back in time, I dare anyone to listen for the first time to On the Back of Angels or The Looking Glass and not realize that their choruses were, well, the choruses (Just to not play it too easy with bombastic stuff like Bridges in the Sky or Behind the Veil).
Never with a DT album before I went through more than one song on the same album expecting the song to climax into a chorus, only to realize later that the chorus was what sounded like a bridge. This happened with Fall into the Light and Room 137 mostly, I'd count also Barstool Warrior in the category but by now I've come to feel the chorus more as a chorus and not something that, after the second repetition, would have went into something even more grandiose (see Bridges in the Sky for example).
Again, I like the album, and not every song has to have the same structure nor have the same intensity, it's just that no matter the style of the song, the intensity, the vibe, never before I had so many "wait, where's the chorus?" moments, not even on the first listenings when the albums were new. If you listen to Fall into the Light and to you the "Too much love will set you free" section stands out the same way a "I'm running from the enemy inside" or "Lost not forgotten, reigning against the odds" does, good for you, but to me it took forever to get used to them.
It's hard to explain, and probably if I were musically educated I could point out to more precise stuff, it's just like the songs prepare you for something that should happen.... but it actually doesn't. I guess it's something subjective, and that there other cases in the discography when to me a song would feel just complete but someone would point "I totally expected them to do something in this part of that song but they didn't".