Yeah, I mean, BMUBMD is fun, and it was cool to see those grittier high notes he busts out live actually make it on a record, but the fact that it's a bit higher really isn't super crazy, especially because they're really short staccato notes and it's not like he replicates it live (where it actually would be challenging because it's at the very top of his range). I love a good high note as much as anyone, but there's this real mythos around super-high notes; truth is, once you actually learn how to sing, they really aren't hard. It's the upper midrange stuff that's really tough to get controlled (which is why we see James struggle with that stuff live a lot, whereas he usually gets the LTL F# without much difficulty).