Albums post #2 - Revolver to the end
Revolver goes hand-in-hand with Rubber Soul, like two companion pieces. The studio experimentation here is really creative while still tasteful, and the songwriting is arguably better than RS. New engineer Geoff Emerick's bold risk-taking really shows! Some of McCartney's best songwriting is here... "Eleanor Rigby," "Here There and Everywhere," "For No One," "Got To Get You Into My Life." George gets an unprecedented 3 tracks on one album. And I can't NOT mention my favorite Beatles track, "Tomorrow Never Knows." It would have been ahead of its time even if it was released TODAY!!!
Sgt. Pepper is technically the Beatles' best album, although not even close to being my favorite (funny how that works sometimes...). Those who argue prog rock began here might be onto something, but I don't see it. The studio is now truly an instrument, following the example of Pet Sounds. There are some wonderfully creative lyrics, but musically I really think it's not their best work. My favorite song here is probably "Within You Without You." I would personally NOT recommend this for beginners... it's a lot to digest despite its classic status.
Magical Mystery Tour is the height of psychedelia in the Beatles' work. "I Am The Walrus" is just spectacular. The movie is pitiful, but the soundtrack is pretty good. The original release in the UK was a double-EP set... in the USA it was an album fleshed out with singles. The American version of the album is the one we know today.
The Beatles is not only my favorite Beatles record, but my favorite album of all time. I've always admired it for its sprawling, lay-it-all-out-there nature. Sadly the group was fighting relentlessly by this period in 1968, so the recordings are not at all a group effort... each Beatle dictated the recording of his own songs with little input accepted from the others. This has never bothered me. Despite what y'all have said, I think all the tracks have their own merit. There is a little bit of everything on the album, not only in musical style but in subtle little touches all over the mixes. I still hear new things every time I listen (for example, has anybody ever heard the sleigh bells in "Don't Pass Me By"??)
Yellow Submarine doesn't really count in my book. It has four new songs (throwaways from the psychedelic years, except the excellent "Hey Bulldog"), two previously-released songs and orchestra incidental music by George Martin.
Abbey Road is among the Beatles' finest work, and it's my second favorite album of all time. Musically the band has developed into something absolutely incredible. It's a miracle this album was made... after the debacle of the "Get Back" sessions the band had all but broken up but decided to reunite with one more quality album. Let the music speak for itself... the medley on Side B is, I think, the culmination of what rock music had become by the end of the 1960's. The White Album may be my favorite, but the Beatles' MASTERPIECE is the "Abbey Road Medley."
Let It Be is the swansong. Recorded BEFORE Abbey Road, the tracks were salvaged and produced by that murderous "genius" Phil Spector. The idea was to have an album without overdubs, presenting the Beatles warts-and-all. While I wish this would have been possible, it's not... trust me, I've listened to about 75% of the sessions... nothing phenomenal could have come out of even the best raw takes. Phil did an acceptable job with the album editing and choices of overdubs (orchestras and such), but the project was doomed from the start.
If I had to pick two from this period, I would say definitely Abbey Road and, depending how adventurous you are, the self-titled ("White Album"). If you want to be safer, go with Revolver then pick up The Beatles and Sgt. Pepper later.