I have a weird relationship with Black Clouds:
Also, as much as I love A Nightmare to Remember, I think it's an exhausting song. Every time I listen to it I love it and I headbang and air-drum like a crazed gorilla, but I feel the urge of putting something that's not DT afterwards. It always leaves me on need on a break. Also, speaking of the album flow, it doesn't help when it's followed by one of DT's worst songs ever lol.
Same here. I have a weird releationship with it too. I love, like a lot, really specific bits of the album. Like Beautiful Agony for example, which at the time gave me hope. I was getting kind of tired of their whole trade-off structure and on my first listen to the album back in 2009, when that section started I got really excited for the album. I couldn't wait to hear the rest of the song! and the album too... and then... the most exhausting trade-off they have ever done happened. And I know you said it was one of their best but it killed the song for me.
And it was all downhill with some really high ups here and there with BC&SL.
AROP? Hate it.
Wither? Kinda ok I guess.
The Shattered Fortress? Found it really repetitive, the Jordan solo got really exhausting to towards the end. BUT THAT FRANKENSTEIN RIFF BENEATH IT HOLY SHIT!
The Best Of Times? Great, great solo. Nothing else.
TCOT? I like it musically, but the lyrics...
BC&SL is the only album where I see that cheesy-ness a lot of people point out with DT.
but it makes me wanna cut my balls and just skip it when Rudess starts playing his silly little notes
And this is one of my biggest problems with recent DT. The album I almost never ever ever go back to is DT12. Like BC&SL all went south from the first track. I was loving TEI and then, silly Jordan notes that really feel our of place.
What is really funny is that I don't find any song on that album bad, but it's really lackluster and kinda boring.
And to answer to the topic, a couple of months ago I would have said The Astonishing was unlistenable, But now it grew on me, and it grew even more when I saw it live. Like I said, I had grown tired of the little trade-offs and silly little sounds from Rudess and this album avoids that. It reeks of a vanity project (Something I had started believing DT was to Rudess thanks to the already mentioned Rudess antics) but it worked.
And don't get me wrong, I really thing Rudess is great, and it shows in TA.
So TL;DR
No, every album has something to listen.