141. Time: The Beginning (Risk, 1999): This is a quite a nice little sounding sound we have here. Dave's voice sounds great, the melody is really catchy and emotional, and...yeah I enjoy this song. The reason why it's so low is because it doesn't really do anything else. It's just the verses and...not much else. This song could have been improved a lot more if they changed it up a bit and had a solo or something. There is a little bit of soloing in there, but it's while Dave is singing, so it doesn't really count as a proper solo. Overall, it's a good song that sounds quite nice, but it could have been so much more.
140. Losing My Senses (The World Needs a Hero, 2001): This is just a really chill song to listen to. Dave almost sounds like he's bored here, but not in a bad way if that makes sense. He sings with an almost "I don't care" attitude, but it actually lends itself quite nicely to this song, which has a very chill beat to it. All instruments are pretty relaxed here and I can definitely enjoy this song as just something to sit back and chill out to, but because this song doesn't stand out as anything more than that, I can't put it any higher. I definitely like the drum beat here and the verse riff is quite nice. Not bad at all.
139. Don't Turn Your Back (Super Collider, 2013): I don't know what it is about Super Collider, but that album somehow manages to make really cool songs sound boring. This song might be the most thrashy song on the album, but it somehow manages to not sound like a thrash song at all. It almost feels afraid to be thrash. It has to be something with the mixing on this album, but I can't really tell what it is. Anyway, yeah, the verses here are pretty awesome. Despite the fact that the riff doesnt sound as thrashy as it could be, it still sound spretty cool and I like the slight variation the riff goes through every couple of measures. Dave's voice sounds great here in the verses, very dark and evil. The chorus...is ok, but nothing special to me. The solo is also nothing spectacular. Overall, the verses definitely hint that the great Megadeth is still in there somewhere, but it does feel like it doesn't want to be that Megaadeth, and that is exactly the problem with this song and the album as a whole. Good song, but also a bit of a disappointment, because this one could have been awesome.
138. Time: The End (Risk, 1999): Ok, here we go. This song might be the biggest combination of absolutely amazing and complete shit in the entire Megadeth discography. The opening riff is EASILY the greatest, most badass riff on the entire album, and it's NOT EVEN CLOSE. Man, I love that riff so much, and that riff alone is more badass than anything in any song up to this point in this list. The solo is also pretty amazing, with some crazy guitar work...as far as the guitar is concerned, Megadeth was absolutely on point here. However...now comes the shit. The vocals. Oh my God, the vocals are absolutely terrible. The chorus in this song is one of the WORST sections to come out of any Megadeth song. "Beat the clock" being repeated over and over again is so annoying and...I honestly have no words for it. Yes, it is worse than "Frantic tic tic tic tic tic TOCK!". That part in Frantic is stupid and cringworthy, but I'm sorry, this is just so much worse. If this song was an instrumental, it would be WAY higher, possibly even cracking the top 50, maybe even higher actually. I love Dave as a vocalist, I always have, but in this song he is absolutely terrible, without a doubt his worst vocal performance in the entire Megadeth discography. I don't have much else to say about this song, I just wish things were done differently. But I can't put it any lower because I just love the riffs and solos in his song so much. Sigh...
137. Mastermind (Cryptic Writings, 1997): I feel like this song could have been a lot better with some more refined tuning. The verses are...servicable, not bad overall. The riff is decent enough, kind of filler, but whatever. Dave's voice in the verses is pretty great and it sounds like he's going more and more insane the longer the song goes on, which is really cool. The highlight of this song comes from the bridge riff right before the solo. I love that riff so much, and it's too bad it only lasts less than 10 seconds. This song is a case of "some really neat ideas, but the whole package is a little underwhelming". The chorus isn't bad either and neither is the solo. Nothing in this song is bad, and it's definitely catchy in parts, but I think this song would have been better if they did a few more interesting things with it. It does feel a little bit filler. I do like this song, don't get me wrong, but something's gotta go and we're definitely getting to the good stuff soon.