Some new stuff from last week that forgot to post, and some from this week.
Void Mother: First time giving it a full listen, and I kinda like it a lot? Wasn't really sure I'd dig it but I do! Excellent heavy, monolithic guitars, and haunting, almost demonic female vocals. Really liking those soft interludes with distant pianos or oriental/tribal instrumentation. Kinda gives the whole record a bit of a occult vibe without being cheesy at all.
Ziggy: I'm not really a fan of Low and Heroes so gave this a spin more because it's an iconic album and all that jazz. And I'm liking actually, nice.
Gran Turismo: Wasn't expecting to like this either, since the song I got in the roulette (Marvel Hill) I found kinda underwhelming, but damn, this is quite good. After 3 iistens I'm convinced the song I got is one of the weakest here
Very good indie pop album with nice electronic bits. Kinda reminds me of Transistor's OST, maybe Darren Korb took some inspiration from here?
The Inner Mounting Flame: Now I realise this is quite a big influence for LTE, and this got some really good jams and vibes. It's kind of a tiring listen, but there's quite bit of great musicianship here.
Family Dinner: Have always been a bit of a passive listener of them, enjoying some of their songs when they appeared on plug sessions but only now giving them a proper listen. Holy shit, this is excellent stuff! They're such a nice, comfy, happy jazz fusion band, and these live performances are brilliant and full of passion. Will definitely revisit this one and delve deeper into them.
Disintegration: Along with catching up with roulette stuff, I'm also listening to some iconic albums regardless of genre and age as of late, so was curious to try this one. Mmnnnn... on the one hand it's not too heavy on cheesy 80s tropes and production all the time and the songwriting is good. On the other hand, sometimes it goes way too 80s for my taste. I'll revisit it just out of curiosity, maybe it will grow on me.
Spirit of Eden: And here's another 80s album, yet one that hardly sounds from that era. In fact, it's so departed from any mainstream style that one would have no clue of when it was released in a blind listen. I find the writing and recording approach very interesting, yet I wasn't really into Laughing Stock, it felt too disjointed and sparse for me. This one has a bit more of structure and some really good climaxes and melodies. Definitely less ambient and more interesting - I can see why this band was so influential for post-rock.