I took a day or two to figure this out, but here it is:
3. A Tempting offer
One of the hidden gems on the album. This is the song that breaks the romantic, warm feel established during the previous several songs. It's one of the evil sounding tunes, and the dramatic intro and sound effects help the matter quite a bit. From the moment vocals kick in after Jordan's solo, it's pure perfection. LaBrie's vocals are top notch, the way they switch from gorgeous vocal harmonies to distorted evil sounding singing is remarkable, and the way the melody develops leaves me in awe. The very last line sends shivers down my spine, and so does the string outro.
2. The Path that divides
What an amazing song. This is probably the wildest, heaviest and most progressive song on the album. It is one of the few that contains a faster section which gets me going every time, especially after that initially calm, atmospheric build up. At first I had trouble with the sound effects during the battle, but I got over them once I realized how crucial they are to preparing you for one of the shortest, yet most effective guitar solos on the album. In five seconds, Petrucci perfectly portrays someones passing. The last verses might be the most touching part of the album, along with Arhys adressing his brother from the other side during the title track. "But there's a cost with every fight, and Arhys' fight for hope cost him his very life." This gets me whenever I hear it.
1. A New beginning
I don't want to overuse the word "masterpiece", but this might be it. From the opening riff, light keyboard touches and the almost immediate vocals, you know you're in for something epic from the get go. The choruses are as catchy as the verses (and I mean all of them), the orchestral breakdown is gorgeous, and who could ever forget the guitar solo at the end. I wouldn't be surprised if it went down in history as one of Petrucci's finest. Not to diminish the rhythm section, Mying and Mangini perform such a tight beat that makes the solo half as amazing as it is. LaBrie shines once again, perfectly separating all three characters which appear during the song - his transition from Faythe to Nafaryus is tremendous. Speaking of transitions, the "father, is it true" bit is so epic. I could go on about this track for a while, but I think I've said enough. Classic Dream Theater.