The "elusive mind" part at the end of SDOIT is very triumphant sounding. The movement between those three ascending major chords just has something to it. The instrumental in Metropolis is still a winner for me as well. Just has so much swagger.I also love the way Lines in the Sand builds up from the guitar solo right to the very last verse. Keyboard solo in Home. Just to name a few off the top o' my head.