Excellent. I'd love to start playing around with recording, I had a Line6 PodStudio UX-1 that made some excellent tones (I saw on the next video that you were using the Line6 software interface), but it got inexplicably fried in a thunderstorm, JUST after the 90 day warranty had run out. Whoops, sorry, we can't (won't) help you. When it was working, I could never really get a good handle on programming drums reliably or anything. Drum software always seemed so tedious to work with, but that could just be me being impatient and not taking the time. So I'll definitely take a look at DFH, as soon as I get some sort of recording interface again.
I use the POD UX1 !! I use it primarily as an interface. I don't use any of the sounds on it.
Drum scoring can be tedious. What I normally do is write out a 16 bar drum part - usually put in a slight fill at the end of every 8 bars. Then copy and paste that for the entire song - then just write in drum fills and accents wherever needed last.
I find this speeds up the process quite a bit instead of writing out a new drum part for every section / 4 bars of the song.
I also colour code *everything*. So - all my drum tracks are RED. If a section has a crash cymbal at the start - it is DARK RED. If its drum fill A - it's X colour - a slightly different drum fill = Y colour.
And so on - so when I look at the tracks in Logic - I instantly know where I can copy and paste a fill from to save time.
All bass tracks are BLACK. All Rhythm Guitar is BLUE. Guitar melodies and solos are YELLOW. Synth tracks are GREEN.