Finally, finally, the actual crux of EXACTLY what those synthetic drums consisted of.
'John did me a favour programming basic beats, and saying, "Look, I kind of want a half-time here and I want a full time here but play whatever you want." I played anything I wanted, nobody should think that I went in and learned these parts. I did not do that. I got what is important to me, which is the composer's viewpoint, which I wanted to satisfy as a human being. I turned to John and we worked through it together.'
I'm sure it won't keep people from going, 'Oh, yeah, he just played what John Petrucci told him,' but it's a quote we can point at, so that's excellent.
Mike Mangini speaks with this almost manic fervour, it's a glimpse of the line between genius and madness. It's that complete conviction, such certainty in his voice, and always so full on - it could be scary if he wasn't such an incredibly nice man. So much lovely stuff in that interview. Mike Mangini interviews are a rare treat.