50. Get On The Floor
Off The Wall
This is a perfect song for me to start off a Michael Jackson countdown of his very best songs. It's one of the many disco/funk driven songs that are filled in Michael's fifth album,
Off The Wall. A lot of people forget that Off The Wall isn't his first solo album, mainly because Michael was still making records with The Jacksons while he was recording his childhood era of solo records. His voice didn't start maturing until the last album of that era,
Forever Michael. This specific song has a really funky bass line that i absolutely love. The bridge mixes african-esque drums and chanting while keeping that disco flair that is just fun to listen to. The whole song just makes you want to go up and dance with Michael.
link:
https://www.youtube.com/watch?v=ierY2nOVX6449. Hold My Hand
Michael
Here's the only post-humous song you will see on this list. It's not because the other songs are bad either. Let me explain. The songs off of
Michael are very good songs. However, they were all incomplete and did not have the blessing of the king of pop himself to have it as a completed work of art. The fact that Michael's long time industry partner, Quincy Jones, even said this does not sound like a Michael record. A lot of these songs probably even wouldn't even see the light of day. However, the only song in my opinion that sounded like a complete work, and not tainted by the lawyers of Michael's father (who gave the go-ahead with this), is Hold My Hand, a duet with Akon. It's a beautiful, inspirational R&B tune, and the backing vocals of Akon aren't too bad. I was skeptical because I really hate the auto-tune era of hiphop/r&b, but the overall sound of Hold My Hand is very house like, thus, the Akon vocals work.
link:
https://www.youtube.com/watch?v=-oCCnxBos10&ob=av3e48. Blood On The Dance Floor
Blood On The Dance Floor: HIStory in the Mix
If Michael Jackson and Trent Reznor ever had a love child, they would get
Blood On The Dance Floor: HIStory in the Mix, the EP/Remix album that was released in support
HIStory. There's a definitely a lot of industrial rock influences throughout the album (Morphine feat. Slash is very industrial heavy). The titled song is classic Michael, but very evocative to what Michael was dealing with at the time as far as women goes. Back stabbing bitches, man. Anyway, Michael's vocals are unique in that it feels like he is holding his frustrations inside of him, until the chorus, when he let's it all out.
link:
https://www.youtube.com/watch?v=c3_NntYhzV4