Yeah I guess, it's just 17 year old me wants to get more into classical and hip-hop, etc, I just don't quite have time yet.
ANYWAY, moar updates, and it's still a bit more Sputnik-y for just a while longer
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38. Madvillain – Madvillainy (2004) – This is another hip-hop album that would definitely appeal to people who don’t even like hip-hop; the lyrics are abstract and poetic, the instrumentation is concise and restrained, and the samples are nothing less than genius. The short track lengths mean that Madvillainy goes down more easily than the monster listens that some similar albums offer, and you’re left able to get a quick fix of awesomeness whenever you want, and with tracks like Shadows of Tomorrow, ALL CAPS and Rainbows, there is no shortage of awesome here.
37. The National – Boxer (2007) – The National are a band that were, for me, actually pretty hard to get into. When I first heard Boxer, I didn’t really ‘get it;’ the lyrics were mumbled and repeated phrases seemingly too often, and the instrumentation seemed a bit flat and uninspiring. After a few listens, though, all of these oblique parts of the album seemed to come together perfectly, and I fell in love. Matt Berninger’s depressing vocals are almost always laced with sardonic wit, and the music, the drumming in particular, is subtly brilliant when given time to shine. Also, everybody should listen to Apartment Story right now, that song is frigging incredible.
36. Godspeed You! Black Emperor – Lift Your Skinny Fists Like Antennas To Heaven (2000) – Well, here is another album that sort of ‘had to’ be here. And there’s a reason that this receives such ludicrous amounts of praise from almost every corner of the music world; it’s damn good. We’ve all heard the positives of this release countless times before, so I’ll just focus on why I have it this 'low;' it really does drag at points. Sure, when I’m in the mood for it, it’s actually the greatest thing of all time, but I don’t often have 87 minutes (yes, 87) to set aside to focus on an album. Consequently, I often end up using this album as background music of a sort, but when I suck it up and give it the attention and time that it deserves, it’s every bit the masterpiece that so many claim it to be.