Maybe it's because of my life-long love affair with both music and film, but a lot of music appears as scenery for me. For example, Modest Mouse's "Blame It On The Tetons" puts me on a very sunny midwestern road, in a car filled with friends who smile at each other occasionally, as if there was some sort of silent understanding about where they are going but no one knows for sure.
And I can't tell you how many times I have directed in my head every camera angle in every scene of Bright Eye's "Landlocked Blues", which may be one of the saddest songs I've ever heard. There is one verse in particular that I have set up perfectly.
The camera slowly pans through different locations in an apartment with several shots of photographs containing a young couple. Some photographs are regarded longer than others for their content.
The camera enters into a living room from outside the hall. It's not the most furnished room in the world, and you can just barely see from an adjacent room a television tuned to a news station. On the floor of the living room is the young couple making love among blankets and scattered clothing. As they reach climax, with shots focused on their facial expressions, the face sequence of shots ends with the man looking down into his lover's eyes. The camera then pulls away from them, reversing towards a coffee table. As the shot reverses enough to see the couple in the background, the lens focus changes to bring slightly more notice on the foreground, the main object being a lipstick-stained wine glass that is almost full as the camera continues to move away.