Definitely a masterwork. Up there with Perdition City, Blood Inside, Themes from Blake.
I love every side. The opening is emotional, Coil-resonant (I think the title of the first track is referential to the fabled England's Hidden Reverse), reflective of past works in new and brilliant perspectives; side 2 brings on the new, krautrock-inspired method; side 3 is a beautiful slab of Klaus Shulze drone; and the final side returns to the familiar, with the reimagining of "Tomorrow Never Knows" especially meeting "Not Saved" from the Opera release on the brilliance-of-new-arrangements meter.
My vinyl won't get here til the end of February, though.